ecology

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Giving and Taking: Images and Nature

Once again I’m promoting science writer Michelle Nijhuis, this time for a little piece in The New Yorker on the history of the daguerreotype, an early type of photographic technique.  What I like about the piece is it makes me imagine what it might have been like at that dawn of a new technology, to think about the possibilities of what could happen by merging observation, art, and technology.  It’s hard to say this early technology wa
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No One Can Stop Leaking Oil

Katie Valentine and Ryan Koronowski of ThinkProgress uncover what oil companies (and snow) have been keeping secret. A Canadian oil company still hasn’t been able to stop a series leaks from underground wells at a tar sands operation in Cold Lake, Alberta. The first leak was reported on May 20, with three others following in the weeks after — making it at least 10 weeks that oil has been flowing unabated.
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The Corpse Flower and the Honeysuckle

Considering the lines stretching around the block ten years ago to witness one of nature’s masterpieces, you might want to arrive early when the National Botanic Garden opens its doors. Trained botanists, tropical ecologists, and naturalists must queue patiently alongside curious visitors from Toledo. All eagerly await a chance to pay homage to the world’s largest flowering plant, the titan arum, now opening (literally) at the Garden. This floral extravaganza will likely run a few more days before Amorphophallus titanum returns to normal life and goes out of bloom.
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A Conversation on Art & Environment with Rafe Sagarin

Observation and Ecology author Rafe Sagarin discusses art and the environment with poet Eric Magrane from the University of Arizona. Eric Magrane: Rafe, you write and speak about observation, most pointedly in your bookObservation and Ecology, with Aníbal Pauchard. I’d like to discuss the way that observation interacts as a hinge between science—and particularly environmental science—as a way of seeing and understanding the world, and art as a way of seeing.
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Global Networking for Science and Conservation

Ecological observations across multiple continents can give us insights into patterns and mechanisms that may allow for broad generalizations in ecology. In the book, Rafe and I discuss how data can come from everywhere and how networks of observers can really push the limits of ecology by using very simple observational protocols across multiple temporal and spatial scales. International networking can also help us to face the many challenges of global change using local information in a global context.
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On Bias

Some of the best science stories seem to emerge in a three step process.  Step 1: Someone points out an error in your thinking, or you can’t let go of a nagging feeling that somehow you are wrong about what you think your data are telling you. Step 2: In a deep, and sometimes painful, exploration of what went wrong with your own analysis, you discover a systematic error in the way whole groups of researchers are thinking about the issue.  Step 3: The new story you are able to tell by looking at the data fresh turns out to be more interesting than the standard account.
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The Art of Ecology and the Ecology of Art

Art interacts with observation and ecology on numerous planes. There is simply the aspect of personal inspiration, as when the creatures I observe in tidepool surveys or just hiking with friends who know the Sonoran desert become the basis for my Linozoic prints. Along these lines, I’m continually amazed at the diversity and quality of artwork produced by ecologists, samples of which I find myself auctioning off each year at a student benefit auction at the Western Society of Naturalists meeting.

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